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COME BACK ANYTIME

Wavy line that looks like a ramen noodle

The story of the master who created a community in Tokyo, one bowl of ramen at a time

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One of the sweetest and most enjoyable films of the year. It will restore your faith in humanity.

Graeme Tuckett  Stuff.co.nz

A selection of laurels for film festivals the ramen documentary "Come Back Anytime" played at, including Hotdocs (Official Selection 2021), DOC NYC (Official selection 2021), the Melbourne International Film Festival, and several others.

ABOUT THE FILM

Self-taught ramen master Masamoto Ueda and his wife Kazuko have run their Tokyo ramen shop, Bizentei for more than forty years. Together with their customers, they have created a welcoming place of community. On the weekends, they venture together across the Japanese countryside, harvesting pears, bamboo shoots, and wild mountain yams. An intimate portrait of Japan’s culture of food, community, and work, COME BACK ANYTIME features gorgeous scenery, mouth-watering dishes, and a delightful cast of regular customers. It’s a heartwarming reminder of life’s simplest pleasures: a delicious meal, relaxed conversations with friends, and a special place to call one’s own.

81 minutes  |  Japanese  |  Color and B&W 

Locations: Japan’s Chiba, Niigata, Tochigi, and Tokyo Prefectures

THE FILMMAKERS

JOHN DASCHBACH

Director-Cinematographer-Editor

 

John is a Tokyo-based American filmmaker who fell in love with film at the Dartmouth College Film Society while growing up in Hanover, NH. After studying literature in college, he dove into film editing while studying with legendary editor, Ralph Rosenblum at Columbia University. After embracing the digital revolution of the late 90s, he’s been making independent films, and editing others’, ever since. COME BACK ANYTIME is his second feature, first documentary, and first cinematography credit.

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WATARU YAMAMOTO

Producer-Interpreter

 

Wataru Yamamoto is a freelance writer, editor, interpreter, and translator. A native Japanese speaker, he is also fluent in English. Previously, he was an editor of AERA ENGLISH magazine in Tokyo and an editor in New York of U.S. FRONTLINE NEWS, North America's most widely-read Japanese language periodical. Over the years, he has enjoyed interviewing Mark Hamill, Ken Loach, François Ozon, Rian Johnson, Kiyoshi Kurosawa, Shunji Iwai, Luc Jacquet, Audrey Tautou, Tony Leung Chiu-wai, Kyōko Kagawa, Christopher Doyle, Tamlyn Tomita, Sarah Wayne Callies, Nick Cave, Lisa Loeb, Jake Shimabukuro, and others.

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Filming a Feeling: An Interview with John Daschbach

August 31, 2021 | Critics Campus Interviews - Melbourne International Film Festival blog.

Despite having known Ueda for several years by the time of filming, Daschbach and producer-interpreter Wataru Yamamoto had no idea if the chef would consent to being involved, let alone what the film would look like. Daschbach recounts: “When we started, I said, ‘Look, I have never made a documentary before. I don’t know what this is going to be; I am going to shoot all of it myself and it might fail.’ Ueda replied that, at the very least, there would be something to show at his funeral.  more

Listen to the director and producer discuss making COME BACK ANYTIME with New York-based food writer Akiko Katayama on her Japan Eats! podcast.

Listen to selections from the soundtrack by Michael Shaieb and Brent Lord

Watch COME BACK ANYTIME online now!

JD MEDIA PRESENTS   COME BACK ANYTIME a ramen documentary

FEATURING  MASAMOTO & KAZUKO UEDA  AND TAKASHI TANAKA

SOUND MIXER  MASASHI IWANAMI  SOUND DESIGNER  RYOTARO HARADA 

SCORE PRODUCER  BRENT LORD  COMPOSER  MICHAEL SHAIEB

EXECUTIVE PRODUCER  ANDREW LUND   CO-PRODUCER  LISA COHEN

PRODUCEWATARU YAMAMOTO  DIRECTOR-CINEMATOGRAPHER-EDITOR  JOHN DASCHBACH

©2021 JD MEDIA CO., LTD.

3-22-18 Koenjikita, Suginami-ku, Tokyo 166-0002

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